Paolo Vignolo, Diablo de Riosucio, Cultural Patrimony and Market Economies

Rachel Bowditch, On the edge of utopia: performance and ritual at Burning Man           

Milla Riggio, Festive devils in Trinidad, European history of the Devil

Angela Marino Segura, Diablo en el performance cultural político, campaigns, speeches and popular performance, Diablos Danzantes de Venezuela

Zeca Ligiero, Diablo in history and practice from Africa to Brasil

Avessa Rios, A performance do palhaço da Folia de Reis no Vale do Paraíba: jogo e ritual-atrodicao em transformacao

Rose Cano, Director of African ConeXion project

Ausomia Beruardes Monteiero, A danca do pallioaco da Folia de Rios: es influencias das cultura Bantu:e Yoruba no atual Rio de Janeiro

Juliana Bitiencourt Maumaes, Memorias de um corpo brincantes a brincadeira do cazumba no bomba-boi maranmense

Silvia Rivera Cusicanqui, Diablos de Bolivia y cultura aymara

Amiel Cayo Coaquira, Diablos y mascaras en la cultura andina

Laura Sánchez García, Performatividad e iconografia en festividades religiosas y carnavales

Jason Bush, Staging lo Andino: The Peruvian Scissors Dance and the Performativity of the Ethnographic Imagination

Barnaby King, Clown and/or Payaso: Everyday devils in Colombia

Camila Aschner-Restrepo, Theatre of ghosts and the memory of the disappeared in contemporary Latin America Carnivals and Public Festivals in relation to power tensions

Verónica Andrea Vitullo, Performance y sus vinculaciones con los modos de representación el lenguaje y las imágenes  

 Rawle Gibbons, Trinidad carnival and theater producer, director and historian